Collections作品紹介
| Artist 作家名 |
Nogiwa Saishin 野際蔡真 |
|---|---|
| Material 手法 |
Paint on Silk 絹本・彩色 |
| Dimensions 寸法 |
本紙:116.2×42.0㎝(Image) 総丈:193.0×55.0㎝(Mount) |
| Caption 備考 |
サイン「壬戌初秋冩 蔡真」、印「群玉斎」 |
| Period 製作年 |
壬戌初秋 1862年 |
| Condition 状態 |
There is a stain on the margin. シミが御座います。 |
| Accessory 付属品 |
|
| Biography 略歴 |
【野際蔡真/蔡眞(1819~1871)】 名は真/眞、字は仙、石居または石湖と号し、白山人とも号していた。 松山家に生まれ白雪の次女と結婚し、野際家を継ぐ。 白雪の後を受けて紀州藩の絵師となり、十人扶持を給わる。 その作品は白雪と異なり、南宗よりも北宗に近いものが多い。 明治四年53歳で亡くなる。和歌山市西大工町西光寺に永眠す。 His given name was Shin, his courtesy name was Sen, and he went by the pseudonyms Ishii or Seko; he was also known as Hakusan-jin. Born into the Matsuyama family, he married Hakuyuki’s second daughter and succeeded the Noguchi family. Following in Hakuyuki’s footsteps, he became a court painter for the Kish? Domain and received a stipend of ten people’s rations. Unlike Hakuyuki’s work, much of his art was closer to the Northern School than the Southern School. He passed away in Meiji 4 at the age of 53. He is laid to rest at Saik?-ji Temple in Nishi-Daiku-ch?, Wakayama City. |


